Music for Lamentation

Raul S Quines

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"'Music for Lamentation' is far from daring to be original in musical shape, form, style or sound, but is closest to genuinely bringing to bare my reflection on September 11, 2001. While this piece pays homage to Mahler's Read more

"'Music for Lamentation' is far from daring to be original in musical shape, form, style or sound, but is closest to genuinely bringing to bare my reflection on September 11, 2001. While this piece pays homage to Mahler's 'Symphony #5: Adagietto' movement and Barber's 'Adagio for Strings', it is dedicated to those who perished on that inauspicious day. The completion of this work is indebted to my daughter, Isabela, and Stringendo (Orchestra School of Hudson Valley) for the immeasurable encouragement, which is infinitely greater than what these modest words of gratefulness can ever convey. 'Music for Lamentation' is not merely an elegy that laments those (we've) lost; it is a vessel that I call 'Hope', which has no expiration. 'It' holds a lot of promise and healing power. It is a story about 'recovery' from devastation, 'optimism' to look ahead, 'enduring willingness' to stride forward, and 'overcoming fear' in order to persevere. In the wake of the breaking news, global catastrophes, and the 23-year anniversary of 9/11, I ask each of 'you' to help raise awareness, recover what might be broken or an abandoned trust in the fundamental truth of humanity, and instill in the collective conscience of our communities that far greater things are born - than lost - from our human suffering."

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MOONS & ARCHES

Raul Quines

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MOONS & ARCHES is my Solo Debut EP. So I'm really jazzed to share this with you all!!! 6 tracks: 3 originals, 3 covers. Tastefully mastered by Louis Brown at L Brown Recording in New York City, this EP is dedicated to Read more

MOONS & ARCHES is my Solo Debut EP. So I'm really jazzed to share this with you all!!! 6 tracks: 3 originals, 3 covers. Tastefully mastered by Louis Brown at L Brown Recording in New York City, this EP is dedicated to my buddy Winston and to the late great Lazlo Cser!

Big THANKS to Tom and Lynnda Wagner, without whom a third of this EP would not be possible! As well, thank you to everyone for your encouragement and kind generosity!

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    01 There's A Bridge (solo guitar)

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    02 Song Without Words

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    03 Lilac Wine

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    04 Mesmerized

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    05 Blackbird

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    06 When Sunny Gets Blue (solo piano)

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Mesmerized

Raul Quines

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Mesmerized

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Re-released on March 29, 2024, "Mesmerized" is the first song I wrote upon my re-entry into songwriting. It has since been overhauled into what it is today. The song is about being captured in the moment by a Read more

Re-released on March 29, 2024, "Mesmerized" is the first song I wrote upon my re-entry into songwriting. It has since been overhauled into what it is today. The song is about being captured in the moment by a love-interest, where magical occurrences take flight, and words and music are penned in ways never before imagined:

"I look into your eyes, I'm enraptured in light. Dreaming dreams, I'm mesmerized. Oh, your heart is gold, it sings to me, My love."

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"Mesmerized" Music Score
  • "Mesmerized" Music Score

"Mesmerized" Music Score

Music score of "Mesmerized" for Baritone-Tenor voice and Piano with Back-vocals (in PDF)

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Lilac Wine

Raul Quines

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Lilac Wine

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Written by James Shelton in the late 1950's, "Lilac Wine" was brought to international acclaim in the early 90's by the late singer-songwriter Jeff Buckley. This is my homage to Jeff Buckley.

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There's A Bridge

Raul S Quines

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There's A Bridge

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Released on January 23, 2024 is my single "There's A Bridge" for solo acoustic guitar! It's a number that I love to play, which is dedicated to my pet-buddy Winston, who has since crossed that bridge.

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Single released on June 4, 2021.

Black [& bLue]

Raul Quines

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"Black [& bLue]" speaks for itself. The vocals and piano were performed and recorded by Raul Quines.

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Raul Quines's Music

Begun on April 7 and completed mid-May of 2020, while in quarantine, Lux Aeterna: In Memoriam CoVid 19 Victims (for a cappella choir) was composed in hopes of pacifying the stresses, aches and pains that so many had undergone to grapple with the pandemic, globally. While in lockdown in New York City, I began recording each of the vocal parts in my home studio. This recorded video-version is slightly different from the original concept in mind, which is supposed to be airy and angelic sounding; here, the piece sounds a little more like a musical passage out of a chamber rock opera. Does Meatloaf ring a bell? This rendition contains all live vocal parts in all its glorious humanistic qualities (ehhemmm... "imperfections"). 


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Creative Commons License
This work is licensed under a Creative Commons Attribution 2.5 License